New work by Gustav Reyes

Working hard in the shop for the Ingrained show at the Patina Gallery and LOOT at MAD. Check out these designs I did using wood and titanium. Woods are mixed between Cherry, Walnut and Hickory.

Ingrained at Patina Gallery

Allison and Ivan of Patina Gallery in Santa Fe, New mexico have been supporting my work for over 3 years! I am so grateful for their continued support and appreciation.

I am honored to be featured in my first show at Patina Gallery called "Ingrained" also featuring wood turning artist Liam Flynn. The show should be an incredible display of the ways in which wood can be formed and crafted.

I've been asked to create a collection of pieces from the Signature Collection. (Photos)

Are you in the Santa Fe area during October? The show opens on October 4 and runs until October 27.  Catch the details at patina-gallery.com.

WEARABLE art

Organic Coil Walnut - Limited Edition Ceo

Pictured above from Left to Right: Organic Trefoil Brooch in Cherry, Square Knot Circle in Walnut and Cherry and The Three Treasures Neckpiece with Cherry, Pearls and Silver. 


As an artist who relies heavily on word of mouth and internet publicity to gain support, I am eternally grateful to bloggers who appreciate or are excited by my work enough to stand behind it and share it on their blogs.

The downside to this, of course, is not having too much control over who or what is put out there with my name attached. I haven't had too much to complain about which is a relief and I hope this speaks to the validity and credibility of my work. Recently, however, I came a crossed a post that seemed like a backhanded compliment. In the end my feeling is that, the blogger developed his or her angle and ran with it, however, it left a bitter taste in my mouth. The particular post, in a nutshell seemed to question the wearability of my work.

I'm not as concerned with the post as I am with the subject of WEARABILITY.

Introducing wood into a jewelry world that attaches great value and importance to the use of precious materials was a difficult task. In the beginning, I endured a few noses raised in my direction. I didn't let this discourage me in creating my work because I have always felt very strongly about the use of a material that parallels our fragile existence as a living (and dying) energy. This philosophy of mine, completely contradicts the "traditional" thought surrounding jewelry as something that is eternal.

Another hurdle existed within the world of woodworking where tradition is a long standing value. My bent wood pieces caused many to question the techniques, structural integrity and validity of my work. Understandable of course, and most people were very receptive after engaging in conversation about the work.

In all, I think the questions the work incites are positive. It tells me that viewers are interested in the forms enough to think and question how they could be possible. I have always strived to design pieces that are not only functional as jewelry but at the same time function as sculpture; as an art piece. Contemplating ideas of form and functionality is a balance that has been explored by artists and creators the world over in all medias. Blurring the line between jewelry and art is what drives me.

View more of my wearable art at:
gustavreyes.com

Balance of Life

So divinely is the world organized that every one of us,
in our place and time, is in balance with everything else. -Johann Wolfgang von Goethe

Balance of Life at the Eastbank Gallery in Chicago

The Balance of Life is a small scale sculpture that I created in 2010. This is the first non-utilitarian piece that I have made in a long time. My exploration was to express the materials stability and uniqueness. Although traditional lap joints are used to create the form, the placement of the intersections are non-traditional causing tension to the viewer who is familiar with the properties of wood.


When creating this piece, I had no set plan, the form was built up spontaneously from my desire to magnify the unusual properties of the compressed wood. The form that resulted is fluid. It's center of balance allows it to stand in different ways which makes it very exciting.


The parallel to life is the idea that an individual is a culmination of different experiences and phases of life. The negative and positive energies that wash in and wash out like the tide shape life and create harmony to the ones who seek it.